Recently premiered at Tribeca and Sheffield DocFest, Khoroldorj Choijoovanchig's second feature balances intimate human portraiture against spectacular vistas of an unknown-to-most landscape. Trucks provide much of the outright color in “Colors of White Rock.” Rolling metal rectangles in pillarbox red, royal blue and bottle green, they glaringly clash with the dun khaki expanses of the Gobi Desert as they roar down its lonesome highways — the surrounding sands so vast and empty as to make the...

Recently premiered at Tribeca and Sheffield DocFest, Khoroldorj Choijoovanchig's second feature balances intimate human portraiture against spectacular vistas of an unknown-to-most landscape. Trucks provide much of the outright color in “Colors of White Rock.” Rolling metal rectangles in pillarbox red, royal blue and bottle green, they glaringly clash with the dun khaki expanses of the Gobi Desert as they roar down its lonesome highways — the surrounding sands so vast and empty as to make the...

Part art-house, part mainstream, Khoroldorj Choijoovanchig’s debut is an interesting film from Mongolia, and probably one of its most known products. Galt was a sick kid since the birth, and... Part art-house, part mainstream, Khoroldorj Choijoovanchig’s debut is an interesting film from Mongolia, and probably one of its most known products. Galt was a sick kid since the birth, and his father Badam, after listening to the advice of a warlock, sends him to grow up with his uncle. However, as...